It’s a camera technique
where you narrow the angle
to get the entire screen in focus.
so this album is me, narrowing my angle to get everything in focus. no live instruments, no vocals, no synthesizers. only samples from movies and some digital elbow grease. the soundtrack to driving through an imaginary backlot.
released April 15, 2014
all composition, samples, effects, processing, mixing, and mastering by Phil M. Bernstein
cover photos by Phil M. Bernstein
cover design by the GTB Design Team